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Archives for February 2007

More Twitter hacks and ³ÉÈËÂÛ̳ goodness

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Jem Stone | 18:03 UK time, Tuesday, 27 February 2007

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who leads the R&D team for Audio and Music interactive at ³ÉÈËÂÛ̳ towers has this Twitter hack using Radio 1 feeds. You can sign up for track listings, SMS tag cloud data and other bits and bobs at

In related audio radio twitter news, word reaches us (via various places including ) of Steve Bowbricks new niche twittering experiment;This, as the name doesn't suggest, is devoted to exclusively mini reviews and links to Radio 4 programmes. Steve has been, a long time fan of R4 and implores us at the end of his post announcing to


I'm kind of assuming that the go-ahead geeks at the Beeb will want to offer some kind of slightly more formal Beeb/Twitter mashup soon enough – like something, for instance, that will allow you to embed a short URL automatically or something that would work from a mobile (wouldn't it be entirely cool if you could receive a tweet referencing a Radio 4 show on your mobile and then click to listen to it?).

Well I don't know if we've got any go ahead geeks but this is a neat new way of using Twitter which I heartily recomend signing up for. Any others out there ? (now off to do posts about Tube Twitter and Speak Twitter in the ideas section Tom and Davy!)

(Jem Stone wrote this post).

Michael Arrington calls for a end to the ³ÉÈËÂÛ̳

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Ian Forrester Ian Forrester | 11:37 UK time, Thursday, 22 February 2007

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mike arrington at fowa

Yesterday (21st Feb) at there was a Panel Debate about what Europe could learn from American in regards to the startup culture. We captured the whole debate on a small camcorder. Including the part where one of the most prolific voices of silicon valley, Michael Arrington from . Voiced his feelings for the ³ÉÈËÂÛ̳'s efforts online. He added...

The ³ÉÈËÂÛ̳ should be dissolved

And started to make a joke about the office TV programme. He then talked about C³ÉÈËÂÛ̳ World and how the ³ÉÈËÂÛ̳ were distorting the industry. Daniel Morris a developer at ³ÉÈËÂÛ̳ Manchester spoke afterwards and pointed out to Mike Arrington that everything the ³ÉÈËÂÛ̳ does must pass the public value test.

Matthew Cashmore afterwards made the point that C³ÉÈËÂÛ̳ World is actually created by an independent company and not the ³ÉÈËÂÛ̳.

We would publicly love to invite Michael Arrington to come in, talk with people and for us to talk about some of his comments, as its obvious he has the wrong end of the stick.

Anyway, . So you can all judge for yourselves. Please join the debate about this issue by signing up to the

This entry was updated - for grammar and spelling

Ian Forrester - backstage.bbc.co.uk

Responses to the first Backstage Podcast

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Ian Forrester Ian Forrester | 13:31 UK time, Wednesday, 14 February 2007

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Following out first podcast, there has been quite a lot of views expressed. Some very heated, some just saying thanks, here's some of the best.

The podcast is both heartening and frustrating. The ³ÉÈËÂÛ̳ had so much promise a few years ago, back when it was talking about delivering real, world-class public value to license payers by doing the hard work of clearing the footage in the archive and letting the public remix it. Now that vision has been reduced to a sham -- the ³ÉÈËÂÛ̳ iPlayer, a steaming pile of DRM that restricts you to being a mere consumer of ³ÉÈËÂÛ̳ programming, downloading it to your PC for a mere seven days.

For a minute there, the ³ÉÈËÂÛ̳ seemed like it would enable a creative nation. Now it's joining the jerks in Hollywood who think that media exists to be passively swallowed by a legion of glassy eyed zombie audience members.

You can hear the disappointment in the visionaries at the ³ÉÈËÂÛ̳, the betrayal at being sold out by management. The ³ÉÈËÂÛ̳ is forcing Britons to buy an American operating system -- Windows -- in order to watch British programming, made in Britain. The free and open GNU/Linux -- whose kernel is maintained in Britain -- can't be used for British TV, because of DRM.

I think it’s great that the ³ÉÈËÂÛ̳ was able to bring this debate into the public, and in fine ³ÉÈËÂÛ̳ balanced round-table tradition it offers representatives from the ³ÉÈËÂÛ̳, the commercial broadcast sector and proponents of free distribution.

I hope there will be more of these, opening up what’s going on inside the organization’s future media dept. Not only does it begin to allow cluetrainy conversation to occur across the decision making process, but it seems like the appropriate thing for a license fee funded organization to be doing.

The group make some VERY interesting points, including a more detailed discussion (with real world examples) of how the ³ÉÈËÂÛ̳ doesn’t actually own all the rights to ANYTHING and the nightmare involved in finding out who does - this gives an interesting explanation of why iPlayer content can’t be DRM free.

The other problem is that the ³ÉÈËÂÛ̳ wouldn't be allowed to stick its content out un-DRMd even if it wanted to. That's what this whole Trust thing has been about. As Ofcom's Market Impact Assessment highlighted, the ³ÉÈËÂÛ̳ entering this market affects other TV channels' business models regarding selling downloads, as well as third party companies such as iTunes.

This is a fine example of how complicated rights matters are in the new media world. It will be some time before put to bed the old notions of rights and true consumption habits of users and embrace what is ahead.

If you pay for ³ÉÈËÂÛ̳ programming, they’ll probably listen to you. You can help make the ³ÉÈËÂÛ̳ the beacon of DRM-free, platform-agnostic programming it can be.

This has been the cause of vigorous debate in the UK, but the ³ÉÈËÂÛ̳ sees it as an choice between doing nothing or doing something—and they have decided to do something. The ³ÉÈËÂÛ̳ Trust, the group set up at the beginning of this year under the Corporation's new charter, is responsible for signing off on the plans. Although it generally approves of the direction that the ³ÉÈËÂÛ̳ is headed, it did raise a question about DRM.

. Ars Technica also has a with lots of comments and debate.

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³ÉÈËÂÛ̳ Backstage podcast: DRM and the ³ÉÈËÂÛ̳

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Ian Forrester Ian Forrester | 17:07 UK time, Monday, 12 February 2007

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The first ever ³ÉÈËÂÛ̳ Backstage podcast kicked off in fine style on Wednesday 7th February.

We invited some of the most vocal backstagers in the long running debate over DRM, to come and join us at the ³ÉÈËÂÛ̳ to discuss face to face what they felt about DRM and the ³ÉÈËÂÛ̳. The hour long discussion around DRM and the ³ÉÈËÂÛ̳ included,




You can subscribe to the or you can download and remix the or the . Both are licensed under creative commons attribution. So as long as you credit backstage.bbc.co.uk, your good to go. There is also a which you can download if you really want better quality that 128k Mpeg3 or Ogg. The videos are also now up in and . We also have some great action shots from the debate...

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A insight into Wiimote hacking with ³ÉÈËÂÛ̳ R&D

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Ian Forrester Ian Forrester | 15:01 UK time, Friday, 9 February 2007

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The ³ÉÈËÂÛ̳ has a great , over the years they have created some great technologies such as Nicam Stereo. Recently they have cause quite a stir with and , both excellent projects with a open source license. Well backstage had a chance to meet up with some of the guys at the bleeding edge, as they showed us some of the very early stuff there looking at on the side. I grabbed my camera, Stephen Jolly explained.

Using the fantastic software written by Carl Kenner, we used a Nintendo Wiimote to control some bits of PC software - Google Earth, using the excellent script written by J Coulston and distributed with GlovePIE, and Genome - a prototype EPG written by ³ÉÈËÂÛ̳ Research to demonstrate some of the nifty features of . Although Genome was written to be controlled by a traditional TV-style remote control, it was pretty easy to make some appropriate mappings with GlovePIE and get at least a first glimpse of how how Wiimote-style interaction with your TV might work. Wiimote hacking in this way is straightforward on most computers with Bluetooth support - see the on the for details.

³ÉÈËÂÛ̳ launches Homepage that validates

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Ian Forrester Ian Forrester | 18:15 UK time, Thursday, 1 February 2007

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by Nick Holmes


This page is VALID XHTML 1.0 Strict!

On 30th January at 10:58 a milestone was reached in the ³ÉÈËÂÛ̳, a milestone that a lot of people think that we should have reached long ago. In short we launched a ³ÉÈËÂÛ̳ Homepage that .*

Getting pages to validate, easy? Getting pages to validate to XHTML 1.0 Strict, little bit trickier? Building a page that was designed to work in tables without a redesign, meeting ³ÉÈËÂÛ̳ standards in order to maintain the service to the widest audience possible, while redesigning the accessibility layer and developing new accessibility functionality, priceless.

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TV Twitter

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Ian Forrester Ian Forrester | 11:17 UK time, Thursday, 1 February 2007

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bbcone tv twitter bot.jpg
Martin Kamara, has started working on a Twitter bot which reads TV Anytime data. He plans to release the source back into the public under a GPL licence.

Tv_twitter is a twitter bot I wrote in perl that reads data and broadcasts it using the network. I wrote it with ³ÉÈËÂÛ̳’s tv and radio content in mind, inspired by . The bot is currently updating with the current program on ³ÉÈËÂÛ̳ ONE and a short synopsis of it. It is still in pre_release state but if you are interested in running it or doing something else with it the source code available from the . A stable version should be out within a week.

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