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- Concert Overture(7 mion)
- Stravaganza(20 mion)³ÉÈËÂÛ̳ commission
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- Overture No. 1(7 mion)
- Symphony No. 7 in A major(36 mion)
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- Jess Gillamsoprano saxophone
- Nil Venditti²õ³Ù¾±Ã¹¾±°ù¾±³¦³ó±ð-³¦¾±Ã¹¾±±ô
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Mun tachartas seo
With his Symphony No. 7 Beethoven permanently realigned Western music’s fundamental relationship with rhythm. In the process he created some of the most compelling music of his age. Young Italian-Turkish conductor Nil Venditti places this momentous symphonic dance alongside music by a composer from the generation after Beethoven, one who picked up the master’s baton and ran with it: Louise Farrenc. The first half spotlights two Welsh composers born less than 40 years apart. Grace Williams’s jaunty Concert Overture, written in her mid-twenties, came ‘highly recommended’ after its entry in a Daily Telegraph competition in 1932–3. And Sir Karl Jenkins, one of the most popular composers of our time, wrote his Stravaganza especially for tonight’s soloist, Jess Gillam.
Broadcast live on ³ÉÈËÂÛ̳ Radio 3
Nil Venditti © Alessandro Bertani