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The directors, Havi Ibrahim and Stuart Palmer adapted a famous Kurdish folk story; The Legend of Kawa the Blacksmith.

The story tells of a brave blacksmith who kills King Zohak of Mesopotamia. The king has been cursed by a demon and has two large black snakes growing from his shoulders. The snakes torment the king, whose only relief from pain is by feeding the snakes the brains of local children.

Kawa has lost six of his seven children to the snakes. When the seventh is stolen the blacksmith sets off to the castle and kills the king with his hammer and lifts the curse.

Havi Ibrahim and Stuart Palmer

The traditional tale forms the centrepiece of the Kurdish New Year celebrations. According to Havi Ibrahim, the film attempts to bring the story to a wider audience: 鈥淭he legend of Kawa the Blacksmith is about the Kurdish new year on 21st March. About the birth of a nation; basically sacrifice. I think the way we have dressed this story, and show it, and script it we are trying to make it clearer to Western people.鈥�

The film comes in Kurdish and English version, with local people providing the characters鈥� voices. It is believed to be the world鈥檚 first Kurdish language animated film.

The project was supported by the Goodwin Centre, a community and training project, based in west Hull. The 54-minute feature was produced entirely on computers as Stuart Palmer explained: 鈥淭he whole film is created using computer generated animation, all created in 3D software. The soundtrack is recorded digitally on the computer and the two are married together.鈥�

The film has been shown at various festivals around the world and is available to buy on DVD. The pair plan to produce further films based around Kurdish folk tales.

For Havi Ibrahim their work helps overcome some of the negative perceptions of the local Kurdish community, and allows people from different cultures to work together in a creative way:听 鈥淲e try to do good things. We try to create and be creative, no matter who your are and where you are. In my point of view there are a lot of creative Kurdish people who work in art and design, and I am very proud of them. I would like to show that this film, or this production, is basically not just made by a Kurdish people, but is just like Hull working together. Making this relationship together it鈥檚 all about bringing the communities together.鈥�