The
last few years have seen an extraordinary renaissance in the fabric
of London theatre 聳 literally so.
When
critics talk about the current state of the theatre, they usually
mean what聮s on our stages, not the buildings that contain them.
But
now after decades of neglect, the buildings themselves are being
attended to, particularly in the public sector where lottery funding
has been available.
The
last few years have seen splendid re-fits for the Royal Court and
Almeida, and completely new premises for Hampstead and Soho Theatres.
The
commercial West End, meanwhile, seeing what has been achieved, has
cried wolf and claims that some 拢250million is needed to prop
up its ailing venues.
significant
profits
Sir
Cameron Mackintosh, one of their number, has pledged 拢30million
of his own money to refurbish the theatres he owns, which is as
it should be since these are places of commercial business that
do return significant profits to their managers.
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Ticket
prices at Sir Cameron Mackintosh's new Prince of Wales Theatre
will include a restoration surcharge
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In
May, Mackintosh will duly re-open a lavishly refurbished Prince
of Wales Theatre, but is going to make the public pay in part for
the privilege of enjoying the work done.
Tickets
there will carry a 75p 聯theatre restoration聰 surcharge,
as has been common practice on Broadway for a few years now.
Meanwhile,
this month (February) sees an extraordinary set of buildings being
returned to the theatre-going public.
decrepit
conditions
Two
of them are stunning jewels in the crown of the pre-eminent Victorian
and Edwardian theatre architect Frank Matcham.
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The
way it was...the Empire's auditorium before the 拢17
million refit
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His
suburban variety palace, the Hackney Empire 聳 which first opened
its doors in December 1901 聳 has gone from music hall to warehouse,
to television studio and bingo hall, before becoming a theatre again
thanks to husband-and-wife team Roland and Claire Muldoon, and a
group of actors and artists, who had acquired it in 1986 as a base
for a touring company they then ran.
While
they re-established the venue as a place for inventive, eclectic
work, particularly in promoting new comedy, it was in famously decrepit
conditions.
Now,
at a cost of 拢17 million, the Empire is back, looking opulent
and better than ever.
affordable
theatre
Ditto
the London Coliseum, another Matcham house, which re-opens on 21
February following a 拢41million refurbishment that has added
some 40% more public space to what was already one of the largest
theatres in the capital, and is home to English National Opera.
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Among
forthcoming attractions at the new Wimbledon Theatre are Blood
Brothers, Grease, The Full Monty and Joan Collins in Full
Circle
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Also
newly spruced up and under new management from 10 February is Wimbledon
Theatre.
聯The
size and beauty of this theatre wouldn聮t disgrace the West
End,聰 says Karin Gartzke, its new chief executive, echoing
a review in The Times in 1910 when the theatre originally opened.
Its
return puts Wimbledon 聳 an area at the end of the District
Line that is best known for the two weeks of the year when it becomes
the focus of World Tennis 聳 back on the map as a year-round
theatrical centre, too, offering local residents affordable theatre
on their doorsteps.
useful
links
listen catch: mark shenton on london's first
nights each tuesday evening at 11.30pm on 94.9
fm
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