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Thirty years ago for North Norfolk District Council it was a case of how do you solve a problem like Cromer Pier?

Traditional seaside shows were becoming a thing of the past, so in a last-ditch attempt to turn around the ailing Pavilion, the council called in genial Irishman Dick Condon.

His blend of blarney and showbiz had transformed the Norwich Theatre Royal - and he did it again!

It did reasonably well until ³ÉÈËÂÛ̳2 documentary series Forty Minutes filmed the show in the making. They dubbed it "Britain's last traditional end-of-the-pier show" and a legend was born.

Today, it's still boasts the same captivating variety mix but is presented with 21st century flare and pace - and it's wonderful entertainment.

Happily, Dick Condon is remembered in the photo gallery which opens this year's two shows and looks back on its history.

Standing ovation

Each year the two shows - now devised, directed and choreographed by the ever-inventive Di Cooke - seem to get better, but this year's opening night is the first I've seen get a standing ovation!

Show One is a delight with the right blend of performers who complement one another.Ìý

There are no "star turns" because it's not that sort of show, but ventriloquist Steve Hewlett is a big hit with his hilarious routines and oh-so-believable puppets, especially grumpy old man Arthur.

Lead singer Harvey James is also good at handling many different styles and he's well balanced with lead female singer Louise Franck.

Speciality act

This year's speciality act - although she can also sing and dance with the best of them - is flautist Julie Groves.

Her slots make a lovely contrast, and there's a nice touch when talented musical director Nigel Hogg gravitates from the orchestra pit to the stage to join her on a mini grand piano.

The lead comic is Peter Piper, who may not be the best stand-up in the business but as an impersonator he's a gem, with his Basil Fawlty and John McCririck racing commentary a huge success.

Show One is the stronger if you love musicals with excerpts from My Fair Lady, Mack And Mabel and Chitty, Chitty Bang Bang.

Eye-catching sets

The Cromer stage may be small but that's never cramped the imagination of set designer Ian Westbrook who really does manage to create the flying car!

It's this, coupled with lavish costumes and good lighting which help make Seaside Special such a joy.

Show Two offers a Queen hits medley and a selection from Chicago, but is let down by a silly version of The Sound of Music - it would have been better to stick to the real thing.

But that's being picky - Seaside Special is still the best when it comes to live entertainment.

And who knows, with the success of Britain's Got Talent and other similar Saturday night TV shows may be Dick Condon was right all along... we still do think variety is the spice of life!

The Cromer Seaside Special runs until 22 September, 2007. Call the box office on 01263 512495 for more information.