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29 October 2014
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Lynda La Plante talks to 成人论坛 Norfolk
Listen to the interview via the links below (Real, 56K)
listen to the audio.
Part one: Linda talks about her Liverpool roots and her love of collecting junk (6'22")
Part two: Linda talks about her long-lost panther and being fired as an actress (3'31")
Part three:
Linda talks about her new book Royal Flush
(6'55")


Picture: Linda La Plante.
Linda La Plante

Lynda La Plante, one of the country's best known crime writers, recently took time out from her busy schedule to pop into 成人论坛 Norfolk for a chat with Andy Archer.

The Liverpool-born novelist trained as a RADA actress before switching to writing. She has penned eight bestsellers including The Legacy, Bella Mafia, Cold Shoulder and Sleeping Cruelty.

But some of La Plante's finest moments have been her TV serialisations for which she has won a clutch of awards from Baftas to Emmys.

The screening of her latest tale, Trial and Retribution (ITV, June 19 and 20) adds to a long list of TV credits which range from Prime Suspect to The Governor and Widows.

And in a very hectic month for La Plante, her novel Royal Flush (Pan Macmillan) has just been published.

But there were some tense moments when she discovered her plot resembled the foiled Millennium Dome Diamond heist - but fortunately her getaway plan was flawless!

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AA: Do you miss Liverpool when you're in New York or Los Angeles?

LLP: No. I've been away from Liverpool for a very long time, since I was 16 and went to RADA. It is odd when I go back though because I'm doing a movie script - it is the first movie script I've written - and there's an extraordinary network of tunnels in Liverpool that I've only just discovered.

Most Liverpudlians don't know they're there. They are called the Williamson Tunnels and they're very hesitant to have a link in any way to the slave trade - and Liverpool was the biggest slave trade dock in England.

This man Williamson was also in the tobacco trade, but he began in his own property, in his cellar, and he employed local workmen and it got bigger and bigger. These tunnels stretch across Liverpool and they're only starting to excavate them now. They have to be seen to be believed because they're works of art.

AA: Have you used them in any of your stories?

LLP: I'm just about to. That was why when I learnt about them I asked if I could go down. What is extraordinary is the Liverpool sense of humour. There was myself, Jason - one of my researchers, Lucy - one of my researchers, and a co-producer from La Plante productions, Sophie.

We met this man and within two seconds I'm Lind, she's Soph, Jason is Jase and it's "Come on, Jase, let's get down there!" It's that familiarity that I don't find anywhere else in England. "Come on, Lynd, down the ladder. Oops, I touched ya bum!" and you don't mind at all!

AA: I remember going into a pub in Liverpool and not knowing anyone and by the end of the lunch session I knew everyone. It is a wonderful place.

LLP: Yes. And now I keep on telling people, "Do you know about the Williamson Tunnels?" and nobody does.

AA: I was checking you out on the internet and I discovered you're a collector. You enjoy buying junk, what sort of junk?

LLP: I'm afraid so. Quite large junk I am. I'm serious junk. I'm here today and I could be driving past and I could see a wardrobe. Most people would say I'm not going to bother with that, but oh no I purchase wardrobes, I purchase tills.

Things like old pianos. Old piano legs make the most amazing lamp standards. You'd be surprised how many wondrous carved piano legs you can find.

AA: What do your friends say when they come around and see all this junk?

LLP: I have to say they do laugh. A lot of my purchases like life-size horses' heads - I buy anything that takes my fancy because once I wanted a life-size ebony panther.

I used to pedal past this in a window of a shop. At the time I wanted a sofa bed and I had 拢400 for this sofa bed and I kept pedaling past this shop and eventually I went in and it was the most extraordinary looking thing.

It was early Victorian, it had amber eyes, beautiful white ivory teeth but it was the movement of the panther.

So I said to the man, "How much is that panther?" and it was 拢10,000 and I said, "拢10,000 for that panther." I said, "What is it?". He said, "It's a collector's item. I've had it for nine years."

For nine months I went backwards and forwards and then it was closing down and everything was half price and I thought if I hang on that thing is going to come down to 拢3,500. So I hung on and hung on.

He knew me by then, he used to say, "Hello, Lynda. Coming in to see your panther?"

And it got down and down and I thought sod it, I'm going to buy it and I went in and it had sold on its tail. I'll never forget the feeling.

I said, "Have you kept it for me?" and he said, "No, I sold it 10 minutes ago." I said, "But that's mine, it's my panther. You can't have sold it." He said, "I'm sorry, you've been after it for a year!"

I was so upset I went and bought a horse's head. Every time I walk into my house I see this horse's head and I say that's the lesson: when you see something you want go for it. Don't let anyone talk you out of it. I dream about that panther. Twenty years later I'm still maudlin about that panther.

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