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29 October 2014
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22nd February 2002
Charlotte Gray 15 cert camera

Dir: Gillian Armstrong
Cast: Cate Blanchett; Billy Crudup; Michael Gambon; Rupert Penry-Jones; Ron Cook; Anton Lesser
Length: 121 minutes
Release: 22nd February

Charlotte Gray

Ask yourself - do you feel lucky punk?

Gillian Armstrong ("Little Women") directs Cate Blanchett in a film that marks the first duff performance of the Australian actor's career.

Francesca Franklyn

As the eponymous Charlotte, she looks a million dollars (unsuitably so for wartime), but she's also dour, tight-lipped and frequently on the verge of tears.

"Charlotte Gray" seduces with chocolate-box cinematography and a sweeping score, but that's all.

Charlotte Gray
The arrival of a new baby meant Ms Blanchett had to carry a suitcase full of nappies wherever she went

As with the hyped film adaptation of "Captain Corelli's Mandolin", the journey from page to screen hasn't been smooth for Sebastian Faulks' bestseller.

Blanchett plays a shy Scottish woman who enters the French Resistance to find her missing beau, RAF pilot Peter Gregory (a miscast Penry-Jones).

Her priorities change, however, when she befriends a fellow Resistance fighter Julien (Crudup), whilst lodging undercover - as 'Dominique' - with his father Levade (Gambon), the gruff guardian of two Jewish orphans.

Whilst the covert lifestyle ironically brings Charlotte out of herself, teaching her about compassion and friendship, she lacks the burning passion that the story craves, and on which the success of the book was based.

Charlotte Gray
When the nappies ran out she was forced to use whatever means possible to get to the nearest chemist

Unlike other wartime weepies such as "The English Patient", chances of Oscar-winning success are sabotaged by a sleepwalking heroine, and a dull script that fails to deliver knockout emotional punches.

Consequently, moments flagged as 'poignant' hit a false note - like when Charlotte takes a letter to the orphans on a departing POW train.

Despite excellent performances from Crudup and Gambon, the heroine's character-building is so tediously serious we crave light relief which never materialises.

The film will attract audiences intent on comparing it with the book, but this 'woman-in-jeopardy' movie feels more like 'woman-in-apathy'. Stunning imagery aside, this isn't the crowd-pleaser many had hoped for.

2/5



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