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24 September 2014
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Hustle


The World of the Hustler - Tony Jordan, chief script writer


Hustle graphic"I've always been interested in the underground world of the con artists so when Kudos approached me to write the scripts for a drama about grifters and their trade I nearly bit their hand off and couldn't wait to get started on my research.


"I ordered every book I could find that dealt with confidence tricksters. And while I was waiting for those to arrive I re-visited some of my favourite films of all time.


"The Sting, The Grifters, House of Games, Oceans Eleven - all clever enough to have the audience rooting for the robbers not the cops, smart enough to make you feel no pity for the victim or mark.


"I soon realised that this was the key. No audience would accept my characters unless they identified with them, wanted the cons to succeed. But how to do that?


"The answer arrived with the two dozen books I then spent a whole summer reading. They introduced me to a world I believe has been lost forever.


"The confidence men I was reading about, most of whom operated a hundred years ago on the other side of the Atlantic, would throw themselves under a bus rather than con some poor old lady out of her life savings.


"These men weren't the petty thieves the phrase 'con men' conjures up today - these were the aristocrats of crime.


"Glorious characters with names like Yellow Kid Weil, Limehouse Chappie, The Alabama Kid and Louisville Henry. All of them repeated a phrase over and over which the moment I read I knew would be at the heart of the series: 'You can't cheat an honest man.'


"Once I had that, I knew the series would work. This wasn't to be a world of cowboy builders, petty theft or juvenile mail order schemes - this was a series about a lost art form, the long con.


"It was a world of marks and inside men, of fixers and ropers and shills and big stores. When the Yellow Kid announced his retirement from the con in 1934 he was said to have earned $8 million.


"I think there are still people perpetrating the big cons these days, but now they're called banks, credit card companies, internet moguls and multi-nationals. They've turned us all into marks.


"No one knows this better than Mickey Bricks and his team and they're happy to turn the tables whenever they can.


Hustle graphic"I wanted Hustle to be a series about the art of crime, to be smart enough to keep you guessing, but accessible enough to entertain and to raise a smile at the audacity of it all.


"Our characters are real grifters - they target the establishment, the greedy. They find the people who want something for nothing... and give them nothing for something."


Tony Jordan


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