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It's the work which polarises opinion more than anything else he wrote. For some, Benjamin Britten's 'Spring Symphony' is a deeply touching and human reflection on the emergence from winter, the epitome of Britten's talents as an anthologiser of literary sources, the works of Spenser, Clare, Peele and Auden. But does it cross a line into the realms of naivety, and can its architectural design stand up to the weight of its building blocks? Stephen Johnson takes the work apart to find out.