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Sounds of Shakespeare

Tom Service explores the music in Shakespeare's plays and Shakespearean music from the ³ÉÈËÂÛ̳ archives, with composer Gary Carpenter and theatre historian Sarah Lenton.

Tom Service presents Radio 3's music magazine, exploring the music in Shakespeare's plays and Shakespearean music from the ³ÉÈËÂÛ̳ archives, with composer Gary Carpenter and theatre historian Sarah Lenton. Live from the Royal Shakespeare Company's The Other Place theatre in Stratford-upon-Avon.

³ÉÈËÂÛ̳ Radio 3 is marking the 400th anniversary of the death of Shakespeare with a season celebrating the four centuries of music and performance that his plays and sonnets have inspired.

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45 minutes

Last on

Mon 25 Apr 2016 22:00

Sounds of Shakespeare

For Sounds of Shakespeare Tom Service presents this week’s edition of Music Matters live from the Radio 3 pop-up studio at the Royal Shakespeare Company’s The Other Place in Stratford-upon-Avon. Joined in the box by the theatre historian Sarah Lenton and composer Gary Carpenter, Tom explores various aspects of Shakespeare’s relationship with music, from Elizabethan times to today. Including material from the ³ÉÈËÂÛ̳ archives featuring the late Guy Woolfenden, who composed more than 150 scores for the RSC during his 37 years as Head of Music, plus Benjamin Britten interviewed in 1960 before the first performance of A Midsummer Night’s Dream, and John Dankworth talking in the 60s about the Shakespeare settings he wrote for Cleo Laine.

Music in Shakespeare’s theatre

Music in Shakespeare’s theatre

What do we know about the use of music in theatres during Shakespeare’s lifetime? Tom delves into the past with Christopher Wilson, musicologist and research director of Hull University’s extensive database of musical references in Shakespeare’s works, and travels to the indoor Sam Wanamaker Playhouse theatre in London with the early music specialist and composer William Lyons, to explore the sounds and instruments that Shakespeare’s audiences might have heard.

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Photo: inside the Sam Wanamaker Theatre © Pete Le May

Shakespeare on the opera and ballet stage

Shakespeare on the opera and ballet stage

Live in the pop-up studio in Stratford-upon-Avon, the theatre historian Sarah Lenton tells Tom how composers like Verdi and Berlioz understood the essence of Shakespeare without a working knowledge of English, and often without access to good translations. She also explains her theory that the best Shakespearean stage works feature no words at all.

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Music of Shakespeare’s words

Music of Shakespeare’s words

Shakespeare’s words are full of music. Throughout the plays, poems and sonnets, he demonstrates a unique understanding for rhythm and the musical possibilities of vocal sounds. Tom explores Shakespeare’s musical language with Cicely Berry, the RSC’s voice director for over 40 years, and the theatre expert David Roesner, and the actor and singer Jessie Buckley recites from The Winter’s Tale.

Photo: Jessie Buckey, Roger Allam and Joshua James in The Tempest at The Globe ©Marc Brenner

Setting Shakespeare today

Setting Shakespeare today

Live in the pop-up studio, Tom talks to the composer Gary Carpenter, whose non-Shakespearean works include four operas, five musicals and several ballets. His four volumes of Shakespeare songs for chorus, The Food Of Love, were commissioned by the Shakespeare Birthplace Trust to celebrate the anniversaries of Shakespeare’s birth and death in 2014 and 2016.

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Credits

Role Contributor
Presenter Tom Service
Interviewed Guest Gary Carpenter
Interviewed Guest Sarah Lenton

Broadcasts

  • Sat 23 Apr 2016 12:00
  • Mon 25 Apr 2016 22:00

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