Spring
Documentary showing Britain's changing look over the course of a year. Spring arrives, and with it comes the start of an epic race for life where timing is everything.
Spring marks the start of an epic race for life where timing is everything; trees explode with blossom and mornings fill with the magical chorus of birdsong. Long-tailed tits frantically build nests whilst, in our oceans, seahorses sway to a graceful courtship dance.
As we celebrate Easter, a stoat mother hunts the young rabbits to feed her own playful young. As spring becomes summer, guillemot chicks leap from their cliffs to begin life at sea, and this year's young prepare for life alone.
Last on
More episodes
Previous
Clips
-
Fancy finwork
Duration: 01:35
-
Wake up call
Duration: 01:55
-
Midnight feast
Duration: 01:11
-
Dangerous times
Duration: 01:06
Music Played
-
KT Tunstall
Under the Weather
-
Kirsty MacColl
Days
-
Coldplay
Strawberry Swing
-
Coldplay
Life In Technicolor II
Filming a seahorse giving birth
One of the most magical stories of theÌýSpringÌýepisode was about an animal that most people might not even recognise as being British: the spiny seahorse. These incredible creatures are almost unique as the male, not the female, carries the eggs and gives birth to the young. They are hard to film; not only are they shy and secretive but the seagrass beds they live in are increasingly threatened in the UK.
The team already had footage of sea horses filmed at Studland Bay in Dorset but they wanted to capture the moment when the male gave birth. To film this in detail would require specialist lenses and controlled conditions, which, although theoretically possible in the wild, would be a potential risk to an alreadyÌý.
To meet the challenge of filming this rare behaviour the team joined forces with the Sea Life Centre, in Weymouth, Dorset. The Sea Life Centre had the facilities and expertise as well asÌýa captive breeding programme underway.
The crew set up a filming tankÌýthat mimicked, as closely as possible, the natural sea grass habitat where they had already been filmed just a few miles away. A pair were introduced to their new home and after a period of settling in, they hit it off, the male was soon pregnant.
Filming him giving birth was not so straightforward.ÌýCameraman Matt Thompson spent days watching a pregnant male seahorse doing not very much apart from looking more and more uncomfortable.Ìý‘It just made me glad to be a mammal’, Matt said.ÌýWhen the male’s labour started, Matt was on hand to .
³ÉÈËÂÛ̳ Nature: How to work with wildlife
Credits
Role | Contributor |
---|---|
Narrator | Joseph Fiennes |
Series Producer | James Brickell |
Executive Producer | Mike Gunton |
Producer | Bridget Appleby |
Broadcasts
- Wed 9 Oct 2013 21:00³ÉÈËÂÛ̳ One except Wales & Wales HD
- Wed 9 Oct 2013 22:35³ÉÈËÂÛ̳ One Wales HD & Wales only
- Sun 13 Oct 2013 16:50³ÉÈËÂÛ̳ One except Wales & Wales HD
- Mon 12 Oct 2015 21:00
- Wed 14 Oct 2015 23:00
- Thu 26 Jul 2018 23:00
- Wed 20 Mar 2019 13:00
- Wed 20 Mar 2019 13:45³ÉÈËÂÛ̳ Two except Scotland
- Thu 16 Jan 2020 20:00
- Tue 18 Aug 2020 09:00³ÉÈËÂÛ̳ Two except Scotland
Meet the timelapse team
Find out more about the team behind the timelapse sequences in The Great British Year.