The Listening Service Extra 2 of 12 - Heir to the German Mainstream
Tom looks at why Schoenberg felt a strong lineage from Mozart, Beethoven, Brahms and Bach
Tom illustrates why Schoenberg felt such a strong lineage from Mozart, Beethoven, Brahms and Bach.
鈥榯here is a possibility to learn something of my technical achievements. But I think it is even better to go back to those men from whom I learned them: I mean, to Mozart, Beethoven, Brahms and Bach. I can really, you can really contend that I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!鈥 - Arnold Schoenberg 1949
Archive audio and photos with kind permission of Arnold Sch枚nberg Center, Wien
Featured in...
12 ways of listening to Schoenberg's journey to serial music—The Listening Service
The Listening Service meets the Second Viennese School.
Why do we call it 'classical' music?
Tom Service poses a very simple question (with a not-so-simple answer).
Six of the world's most extreme voices
From babies to Mongolian throat singers: whose voice is the most extreme of all?
How did the number 12 revolutionise music?
Why are we all addicted to bass?
Watch the animations
Join Tom Service on a musical journey through beginnings, repetition and bass lines.
When does noise become music?
We like to think we can separate 鈥渘oise鈥 from 鈥渕usic鈥, but is it that simple?
Podcast
-
The Listening Service
An odyssey through the musical universe, presented by Tom Service