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Biography - childhood

Introduction

C.S. Lewis (29 November 1898 - 22 November 1963) was a prolific writer, poet, scholar of English literature and defender of Christianity. His most famous book is The Lion, the Witch and the Wardrobe, the first published of his Chronicles of Narnia.

This article explores more of Lewis the man, the storyteller and the Christian.

Lewis's childhood

C.S. Lewis's own account of his early years reads like a list of books, along with a few people, that shaped his life. Lewis was born in Belfast in 1898, the younger of two sons. His parents Albert and Flora were both keen readers. In his autobiography, Surprised by Joy, Lewis describes himself as "a product of long corridors, empty sunlit rooms, upstair indoor silences, attics explored in solitude, distant noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books."

Born Clive Staples Lewis, he announced when he was three years old that his name was Jack, and Jack he was to family and friends for the rest of his life. His older brother was Warren, nicknamed Warnie.

Jack Lewis's childhood was "humdrum, prosaic happiness". He and Warren were close friends, and would spend long hours drawing and writing together. Warren's interest was in trains and steamships, while Jack liked "dressed animals" and tales of knights and chivalry. Jack diplomatically combined the modern and mediaeval themes into a continuing history of the imaginary country Animal-Land, later combined with Warren's kingdom of India and christened Boxen. Chronicling the adventures of the Boxonians kept both brothers occupied for years to come.

Jack's parents were Ulster Protestants and he grew up being taken to church every Sunday. He found the services uninspiring. They were Christianity with the life leached out of it: more a political statement than a statement of faith; a weekly demonstration that they were not Catholics. They formed in Jack a distaste for Christianity that lasted into adulthood.

"No more of the old security"

The children's lives changed after the death of their mother in August 1908. Jack said that "all settled happiness, all that was tranquil and reliable, disappeared from my life". He and Warren became more reliant on each other, but their relationship with their father became increasingly distant.

Soon afterwards Jack was sent to a boarding school called Wynyard. The school, which in Surprised by Joy he tellingly nicknamed Belsen, was by all accounts a dreadful place. Lessons consisted of learning by rote or being left with a slate and made to do sums. The headmaster, Robert "Oldie" Capron, seems to have been a cruel man who would flog the boys with little provocation. His neighbours believed him to be insane.

It was at Wynyard that Jack first tried to be Christian. He made a list of resolutions and tried to pray each night, but allowed himself to be distracted by worries about whether he was praying correctly.

It is clear that Albert Lewis did not know what life was like for his sons at Wynyard. Jack stayed there until the school closed down from lack of pupils. After half a term at another school, after which he was withdrawn with an illness, Jack attended a prep school called Cherbourg. Here he was happy - thanks in part to discovering the music of Richard Wagner, but also by comparison to Wynyard - and his academic standards quickly improved. He also began to associate with what he later considered to be bad influences. Warren was becoming rebellious at the same time: he eventually was expelled from college and joined an army academy. Jack went on to secondary school at Malvern College.

Biography - education

Northmen and Joy

Wagner meant more to Jack than good music. The epic operas of the Ring cycle introduced him to Norse mythology, the beginning of his lifelong love of 'Northernness'. The music and mythology caused momentary but intense feelings in Jack that he could not describe, and later called 'Joy'. His description of Joy sounds like a desire for another world: "the stab, the pang, the inconsolable longing".

Jack realised he had felt Joy a few times before; he experienced it again in the years before his conversion to Christianity. Jack threw himself into studying Norse mythology, hoping to experience Joy again. Reading and writing about his Northern myths kept Jack sustained through his time at Malvern College, which he otherwise found very difficult.

Northernness even helped Jack to find his first close friend, apart from his brother. Arthur Greeves lived near the Lewises but the boys had never spent time together. Then one day towards the end of his time at Malvern Jack was invited to visit Arthur, who was sick in bed. He spotted a copy of Myths of the Norsemen in Arthur's bedroom and soon they were firm friends, writing to each other and exchanging confidences.

Malvern was a shock to Jack. An elite group of older pupils, usually members of sports teams, ruled the roost. They were called Bloods and were hero-worshipped by the younger boys. A Blood could corner a younger boy and make him do odd jobs - tea-making, boot-blacking, cleaning his sports kit or his study. This was called 'fagging' and Jack said it made his life miserable, coming as it did on top of a heavy load of schoolwork.

Jack was upset, too, by rumours of homosexuality between pupils at Malvern, and wrote an exaggerated and disapproving chapter about the college in Surprised by Joy. Warren later said that the school had not been as bad as Jack claimed. The brothers grew distant for a while as a result of that disagreement. Jack had certainly lost his Christian faith at this point too.

The bright spot at Malvern apart from his Norse mythology was an inspirational teacher nicknamed Smugy. Jack portrays Smugy as the essence of courtesy in the midst of a loutish school. He was also much taken with Smugy's melodious method of poetry-reading: he tried to imitate it himself from then on.

Kirkpatrick and college

An examiner had remarked that Jack was the sort of boy who could gain a Classics degree at Oxford. But if Jack was to attend university, he needed a scholarship. Albert decided to send him to a tutor to prepare him for the scholarship examination, and Jack went to stay with his father's friend William Kirkpatrick in Great Bookham in Surrey.

Kirkpatrick was an imposing man who dressed like, and was, a gardener. From him, among other subjects, Jack learned Greek, Latin, a broader appreciation for literature and an exacting method of debate.

His days at Kirkpatrick's were the young Lewis's happiest. They provided the routine he followed for the rest of his life: rise at half past seven for an early walk; breakfast at eight; work from a quarter past nine until lunch at one; freedom during the early afternoon until tea at a quarter past four; work from five until nine, interrupted by dinner at seven. After nine Jack could write independently, often stories or lyric poetry inspired by whatever mythology he was enthralled by at the time.

Biography - war and Mrs Moore

Lewis came to university in 1916 during the First World War. Although as an Irishman he would not have had to serve in the army, he wanted to do his part. He signed up and was sent to the front. Lewis's time as an army officer affected him profoundly, as it did most soldiers, but one friendship changed his life. Edward Moore was a fellow Irishman with whom Lewis served. The two young men seem to have made an agreement that if either of them did not come home, the other would support his family. Lewis was sent home with shrapnel wounds. Moore was killed and left behind his mother Janie and sister Maureen.

True to his word, Jack lived with Mrs Moore until her death. He was always reticent about his private life and many people suspected that he and Mrs Moore were lovers. It has not been proved. What is known is that Lewis saw her as a maternal figure. His own mother had died while he was young and Mrs Moore, above everything else, seemed willing to be a surrogate mother. Albert disapproved of Jack's relationship with her, and may also have been a little hurt by the implication that his parenting had not been enough for Jack. Jack, in turn, resorted to lying in his letters home to conceal the closeness of their relationship.

Jack and the Moores stayed in a series of rented houses in Oxford while he attended university. He seems to have been worried about money for most of the time: he was receiving a little money from Albert, but was concerned that their strained relationship might cause his father to cut him off. Jack was lying to his father, who thought he was still Christian. Although poor, Mrs Moore was determinedly hospitable. She had a positive influence on Jack, teaching him generosity and giving the reclusive scholar a taste of normal family life.

After four years of study Lewis ended up with three first-class degrees from Oxford: Greek and Latin literature, classical philosophy and English language and literature. His father sponsored him to continue his studies because it was difficult for classics students to find a job. He took a lecturing position while applying for a fellowship, a financial grant for university teaching. He was turned down for several positions before being awarded a fellowship teaching English at Oxford's Magdalen College. He began work there in October 1925.

In 1926 he submitted Dymer, a long mythological poem, for publication. It is a tale with a moral about fantasy and self-deception: like Lewis's other books, it was written from experience. It was favourably reviewed and may have met with more success if the fashion at the time had not been for free, non-rhyming poetry.

It was at Oxford that Lewis met Owen Barfield, who formed a literary discussion group called The Inklings. The members, who included Lewis himself, J.R.R. Tolkien, Adam Fox, Hugo Dyson, Charles Williams and Lewis's brother Warren, met during the 1930s at a pub called the Eagle and Child (known to them as the Bird and Baby). Many of them were Christian; some were atheists; some were followers of Anthroposophy, a philosophy that was quite popular at the time. The purpose of the group was to hear and criticise members' writings-in-progress. Tolkien's Lord of the Rings stories were first aired at Inklings meetings, as were some of Lewis's stories.

Biography - conversion

Checkmate at last

Lewis's conversion to Christianity was not a sudden experience. He always claimed it was logical and rational, not emotional. His influences were, as always, books and a few close friends.

Inspired by his reading, Lewis's personal philosophy had been slowly approaching theism (belief in a god) under another name: he came to believe in a universal spirit without yet calling it God. He knew that his position was confused. In Surprised by Joy he likens the following process to being hunted down by God, or even being defeated by him in a game of chess.

Lewis had several Christian friends at Oxford, including Hugo Dyson and the Catholic J.R.R. Tolkien, with whom he often argued philosophy and religion. A chance remark by another acquaintance, T.D. Weldon, caused Lewis to rethink what he still was calling "the Christian myth": Weldon, known for his cynicism, thought that the evidence for Jesus's life and resurrection was remarkably good. Lewis read the Gospels and was struck by the thought that they did not sound like fiction: the writers seemed too unimaginative to have made the whole thing up; the Gospels read more like reports than stories.

Albert Lewis died in 1929. His death caused Jack to feel guilty about deceiving him. Jack also believed he could feel Albert's presence after his death. At this time Warren and Jack were both thinking of becoming Christian, although the idea of churchgoing was still unappealing to Jack and he did not accept many aspects of the Christian theology.

On September 19, 1931, Lewis, Dyson and Tolkien took a night-time stroll and began a conversation about myth. They walked and talked until morning. Tolkien convinced Jack that myths were God's way of preparing the ground for the Christian story. The stories of resurrection throughout history were precursors to Jesus's true resurrection: Christianity was the completion of all the mythology before it. Dyson's contribution was to impress upon Jack how Christianity worked for the believer, liberating them from their sins and helping them become better people. His remaining arguments were being demolished. Jack Lewis was about to be checkmated.

The final stage in Jack's conversion to Christianity took place three days later and was typically unconventional. He and Warren were travelling by motorcycle to Whipsnade zoo: "When we set out I did not believe that Jesus Christ is the Son of God, and when we reached the zoo I did." Jack wrote a book called The Pilgrim's Regress that told the story of his conversion in allegorical form.

Lewis also realised that his old experiences of 'Joy' had been pointers, reminding him that he was made for another world: he now reinterpreted them as longings for heaven, for God. He felt 'Joy' again many times in his life, but no longer attached the same importance to the experiences.

It was after his conversion that Lewis began writing his Christian apologetic books.

Biography - home life and writing

Kilns and ink spilled

Jack and Warren inherited a little money after their father's death. Together with Mrs Moore, they bought a house in Oxford called The Kilns. Jack was teaching at the university and writing his books on the history of English literature. In 1937 he wrote the first of his science fiction books, Out of the Silent Planet.

During the Second World War Jack, wanting to do his part, joined the Home Guard. Warren was still in the army. The Kilns received several evacuees, who were an early inspiration for the Chronicles of Narnia.

The Problem of Pain was published in 1940 and The Screwtape Letters in 1942. Jack began to get a large volume of post from admirers. He had recruited Warren to type his handwritten manuscripts: now he relied on him to act as a secretary too.

Jack also gave a series of talks about Christianity on ³ÉÈËÂÛ̳ radio between 1941 and 1944. After the first set of talks was well received he also presented some lectures to soldiers, which he considered war work. His broadcasts resulted in many people converting to Christianity - and a lot more letters for Jack to answer. The text of his talks was published in a book called Mere Christianity.

Lewis's literary output in these years was considerable. He divided his time between academic writing, popular apologetics and fiction. By 1948, when a debate with Elizabeth Anscombe convinced him he had been arguing the case for God in the wrong way, Mrs Moore was becoming ill. Jack spent much of his time looking after her.

The seven Chronicles of Narnia were written and published between 1948 and 1956. Jack had been writing his autobiography Surprised by Joy at around the same time. Meanwhile, Mrs Moore's health continued to deteriorate; she went to a nursing home and died there in 1951. Warren was not overly distraught. Her death gave the brothers more freedom; Jack was relieved from some of his household duties, but he was also free to marry.

Biography - marriage and later years

Surprised by grief

In 1952 Joy Gresham came to England. Joy was a New York teacher of English literature, a former communist and a recent convert to Christianity: her parents had been Jewish, though her father was secular and her mother was not very religious. Joy had a husband, though at the time their marriage was in trouble. They had two sons, Douglas and David.

Joy had been corresponding with Lewis for two years before her visit. She was a sharp, outspoken and witty woman, just the sort to appeal to Lewis. When, on her return to America, she found her husband committing adultery and their marriage beyond repair, she moved to England with her sons.

Lewis had taken a teaching job at Cambridge university, spending weekends and holidays at home. Joy and her sons moved into a house not far from the Kilns. They were frequent visitors. In 1954 Joy's husband divorced her. In 1956 her work permit expired and she faced having to move back to America. Lewis decided to marry her.

Lewis claimed the civil marriage ceremony, quietly performed in a registry office, was a purely legal measure to allow Joy to stay in the country. Nobody is quite sure of their feelings for each other at that stage, but shortly afterwards some news arrived that changed everything. Joy was diagnosed with advanced cancer and did not have long to live. Lewis realised he loved Joy and decided to make their marriage public. The ceremony was performed around Joy's hospital bed. When she was able to leave hospital, Joy, Douglas and David moved into the Kilns.

Her health improved. Lewis prayed to be allowed to take some of her pain on himself. It seemed to work. His health deteriorated for a few months while Joy recovered: an occurrence he happily described as a miracle. Married life seemed to suit Jack even at his late age (he was in his 60s). He enjoyed more than three years with Joy before her cancer returned and claimed her life in July 1960.

The story of Jack and Joy's marriage is told, with some liberties taken with chronology, in a play and film called Shadowlands.

Joy's death was hard for Lewis to cope with and tested his Christian faith. He kept a record of his thoughts and feelings throughout the grieving process, and published it, using a pseudonym, as A Grief Observed. (So many people recommended the book to Lewis to help in his own grief that at last he was forced to admit he wrote it.)

"No one ever told me grief felt so like fear," reads the opening sentence of A Grief Observed. "I am not afraid, but the sensation is like being afraid. The same fluttering in the stomach, the same restlessness, the yawning. I keep on swallowing." It is an honest account from a mourning widower: Lewis did not flinch from recording the times when his faith was tested. By the end of the book he had made his peace with God.

C.S. Lewis died on the 22nd November 1963. He never wanted his death to be widely acknowledged, and he got his way. John F Kennedy, president of the USA, was assassinated on the same day. The author of Brave New World, Aldous Huxley, also died on the 22nd.

The last book Lewis published, and one he considered his best, was Till We Have Faces, an unusual retelling of the Greek myth of Cupid and Psyche.

Fiction books

Lewis the storyteller

Thus begins the first adventure into the land of Narnia, the setting for C.S. Lewis's most famous series of books. Although the Christian subtext to the books is an open secret among adult readers, generations of children have loved the stories without noticing the parallel between Aslan the lion and Jesus Christ.

C.S. Lewis converted to Christianity while teaching at Oxford University, but his love of books and myths had been present since his childhood. Soon after his conversion he wanted to evangelise, and it was not long before he thought of combining religious enthusiasm with imagination in his works of Christian fiction.

The first frontier

Lewis's first Christian fiction was Out of the Silent Planet, a science fiction novel written for adults, which was the first in a trilogy.

In Out of the Silent Planet Lewis imagined a world, located on Mars, in which the Fall of humanity had never happened and the inhabitants lived without original sin. He returned to this theme in the sequel, Perelandra, which followed the temptation of the first woman on a new world, this time set on Venus.

Lewis, a professor of English literature, was also busy writing nonfiction. His first major work of criticism, The Allegory of Love, was published in 1935 and very well received. Out of the Silent Planet, two years later, attracted mixed reviews, many of which compared Lewis to H.G. Wells. More surprisingly to Lewis, out of about sixty reviews, only two seemed to notice the Christian subtext.

That prompted Lewis to write: "[I]f there was only someone with a richer talent and more leisure I think that this great ignorance might be a help to the evangelisation of England; any amount of theology can now be smuggled into people's minds under cover of romance [heroic fantasy stories] without their knowing it."

The third book in the 'Space Trilogy' is called That Hideous Strength and set on Earth. It describes and extrapolates what Lewis saw as the evil ideas in contemporary science, personified in an organisation called (with heavy irony) N.I.C.E.

All three Space books included themes from various different mythologies, but That Hideous Strength was particularly criticised because of it: Professor Chad Walsh, an American authority on Lewis, disliked the Arthurian themes in the book. George Orwell thought it would be better without any supernatural elements at all. Readers, however, enjoyed the trilogy.

Narnia

Fantasy in fur coats

Tumnus the faun ©

The very first element of Narnia came to Lewis when he was sixteen. He saw in his imagination a faun (a mythological creature like a man with goat legs) carrying parcels in a snowy wood. The image stayed with him, and many years later it found a place in one of his stories.

Lewis began writing The Lion, the Witch and the Wardrobe in 1948. The inspiration is not difficult to guess. A few years earlier, during the Second World War, Lewis's household had played host to a group of children evacuated from London and other cities: The Lion, the Witch and the Wardrobe begins with four evacuees staying in the house of an old professor.

One of the girls provided another piece of inspiration when she asked to play in a wardrobe in Lewis's house. He soon set out to write a story for the children, who, he thought, did not read enough. One can detect the author's own voice behind the professor's repeated cries of "What do they teach them at these schools?"

Narnia gave Lewis an opportunity to indulge his love for animals and mythological creatures. In Narnia there are both normal animals and intelligent, talking ones; valiant Mice and proud Horses live alongside giants, unicorns and satyrs.

The Pevensie children are evacuees ©

It may surprise readers who imagine that Lewis set out from the beginning to re-tell the Christian tale to find out that Aslan, the Christ-like lion, was not even thought of until some way into the story. Then, as Lewis put it, he "came bounding into it" and brought with him all the ideas Lewis needed to finish the book.

Lewis's friend J.R.R. Tolkien did not like the finished work. He disapproved of the mixture of mythological creatures inhabiting Narnia and did not care much for the quality of the writing. Lewis's publisher had doubts about whether it would sell, and thought there was more chance if the book were part of a series. Lewis soon obliged, and wrote one Narnia book a year until the seventh brought the series to a definite end.

At the time of publication, The Lion, the Witch and the Wardrobe went against a trend towards realism in children's stories. Reviews of the books were not sympathetic; many were highly critical. This did not discourage its intended readership, who loved the books: they remain popular today.

Christian allegory

Allegory or shaggy lion story?

Are the Chronicles of Narnia allegorical? Lewis, a professor of English, was well placed to debate the exact meaning of allegory. He said they were not: they were "supposals". As he explained in a 1954 letter to some schoolchildren in Maryland:

Lewis was not aiming to teach children Christianity with the Narnia books. He wanted to introduce similar ideas that would make it easier for children to accept Christianity: what he called "a sort of pre-baptism of the child's imagination." (George Sayer, Jack: A Life of C S Lewis)

Is valiant Peter a nod to Saint Peter? ©

Each of the Chronicles focuses on a different part of the Christian story and theology. The Lion, the Witch and the Wardrobe draws on themes of sacrifice and resurrection. In The Magician's Nephew, the first book in chronological order, Narnia is sung into being by Aslan but corrupted by original sin. The Last Battle is an apocalyptic culmination. Other books feature pilgrimages, "the restoration of the true religion after a corruption" and the foiling of many evil schemes.

In The Lion, the Witch and the Wardrobe, along with Aslan as Christ figure, one character fulfils a Judas role by being tempted to betray the others, while the White Witch herself plays the role of the tempter. The role of Father Christmas has been compared to the Holy Spirit, as has Aslan's magical breath. The name of the oldest child may even have been a reference to Saint Peter.

Other characters in the books reveal Lewis's attitudes to different peoples and ideas. The Calormenes are a dark-skinned race living south of Narnia. They carry scimitars, keep slaves and worship barbaric false gods: they are, all told, rather reminiscent of the worst Western portrayals of the Middle East. Lewis satirises the modern schools and parenting practices of his time in The Voyage of the Dawn Treader. Among other themes, The Last Battle features a scorching attack on syncretism, the practice of combining religions.

Christian apologetics

Lewis the Christian

Before writing his Christian fiction books, C.S. Lewis was known as an apologist: a writer who defended his faith using logic.

Lewis saw his books as a layman's view. He tentatively advanced many unorthodox ideas, showing imagination and new approaches. His most famous apologetic works are The Problem of Pain, Miracles and Mere Christianity.

A student called Elizabeth Anscombe criticised Miracles in February 1948 at a meeting of the Oxford Socratic Club. Anscombe, a Roman Catholic, was not trying to disprove Christianity or attack Lewis's faith, but she did find errors in his logic.

Lewis's friends later described this debate as deeply humiliating for him and said it stopped him writing more books on theology. Anscombe does not remember the debate that way: quoted in George Sayer's biography of Lewis, she said it was a "sober discussion" and that Lewis accepted her criticisms. He rewrote a chapter of his book following Anscombe's criticisms.

Whatever the effect on Lewis, it is true that he was chastened. He was concerned that the public might confuse the disproof of a logical argument for God with a disproof of God himself. He realised that trying to prove God's existence through reason had been a mistake, and from then on his Christian writings were more concerned with intuitive faith and feeling.

It was not long after this time that Lewis wrote his series of classic children's books, beginning in 1948 with The Lion, the Witch and the Wardrobe.

Atheism and pessimism

Lewis described himself as a pessimist in his early years. His experiences as a child, whether his physical clumsiness or the death of his mother, taught him to expect things to go wrong. Some years before converting to Christianity, the young Lewis wrote a series of poems published as Spirits in Bondage. Although at this time he was calling himself an atheist, the poems show that he was greatly concerned with the idea of God's cruelty or indifference. "The sky above is sickening, the clouds of God's hate cover it" he wrote. (Spirits in Bondage I,VIII)

He later wrote in Surprised by Joy that he "was living in a whirl of contradictions. I maintained that God did not exist. I was also very angry with God for not existing. I was equally angry with Him for creating a world."

After becoming a Christian, Lewis's outlook seems to have been transformed and he became more positive, even extroverted. "I had been, as they say, 'taken out of myself.'"

Merely Christian

Merely Christian

Though his parents were Irish Protestants, when Lewis converted later in life he joined the Church of England. He aimed to reach as many people as possible with his apologetic books, which meant that he was anxious to avoid points of disagreement between the different Christian denominations and focus on the ideas they all agreed on: the core of Christianity.

That was what Lewis did when he gave the radio talks that were later published in book form as Mere Christianity. He sent part of the text to clergymen of the Church of England, the Roman Catholic Church, Methodist and Presbyterian denominations to make sure his representation of 'mere Christianity' was one that they could all agree on.

He did not intend 'mere Christianity' to be an alternative to the other denominations:

Analogy

The hallway illustration is only one example of Lewis's penchant for analogy. He broke down complicated questions for an audience with little or no religious knowledge.

In a memorable example, when explaining the meaning of 'numinous' Lewis asked the reader to suppose they had been told there was a tiger in the next room: "you would probably feel fear". If, however, they believed there was a ghost in the next room, they would feel "fear, but of a different kind ... with the Uncanny one has reached the fringes of the Numinous". (The Problem of Pain)

In facing quite a complicated question about the idea that God lives outside time, Lewis used another clever analogy:

Piano keys, playwrights, megaphones and horses: Lewis recruited all these and more to explain his points. They are one of the chief factors in his lively and accessible writing style.

Trilemma - lord, liar or lunatic?

The 'Trilemma'

One of the arguments Lewis uses in his books has grown particularly famous. It is referred to as the 'trilemma' or the 'lord, liar or lunatic' problem, and it is a response to people who believe Jesus was a great human teacher but was not really divine.

Look at Jesus's words as recorded in the Bible, Lewis said: he claimed to be the Son of God and to have the power to forgive sins. They are not the sort of claims a good human being would make.

The passage displays Lewis's overall attitude towards his faith: he felt Christianity was an all-or-nothing affair. Half-heartedness was not to be tolerated. There was no middle ground.

Screwtape Letters

Knowing one's Enemy

The Screwtape Letters consists of a series of letters from a senior demon to a junior tempter, advising him in his pursuit of a human soul. The Letters had originally been published weekly in a Church paper called The Guardian (not the same as the British national newspaper), before being collected as a book.

The humour in Screwtape stems from its reversal of values: for example, the bureaucracy of Hell is called the Lowerarchy, and the persons referred to as "Our Father" and "the Adversary" are not who a Christian would normally expect. Lewis returns to themes he discussed in Surprised by Joy and Mere Christianity, this time from the opposite point of view; and although writing entertainingly, he lays into weighty spiritual problems. Screwtape advises his nephew on "the routine technique of sexual temptation" and "the painful subject of prayer", and Lewis's own views are plainly visible beneath the satire.

Lewis found The Screwtape Letters unpleasant to write. He felt that placing himself in the mind of a demon had been dangerous for his own character.

Animal theology

Animals

C.S. Lewis loved animals, as his earliest writings show. He felt the question of animal suffering was a significant problem for Christianity: so important that he dedicated a chapter of The Problem of Pain to it.

Lewis believed that humans were absolutely separate from animals, but he considered animals conscious - or some animals to be more conscious than others. It would be unhelpful to group apes with earthworms: "Clearly in some ways the ape and man are much more like each other than either is like the worm". There was a difference in complexity from 'lower' to 'higher' animals.

"At some point ... sentience almost certainly comes in, for the higher animals have nervous systems very like our own." (The Problem of Pain) This was by no means an accepted view. It would have been a potentially expensive one, because vivisection - damaging or fatal experiments on animals - and other exploitative uses of animals were commonplace, and acknowledging animal sentience would mean admitting that these practices were cruel.

Cruel men

Lewis condemned vivisection absolutely, and said so in a 1947 essay. He deplored the popular arguments in favour of experiments on animals, calling them "easy speeches that comfort cruel men". He pointed out that the same ideas could be used to justify experiments on humans, and explicitly drew a comparison with the Nazis.

This would be emotive language at any time, but it was shocking in context: this was 1947, two to three years after the liberation of the concentration camps.

Lewis's love for animals shines through all his writings, and it made him especially concerned with finding a meaning behind animal suffering.

Nature red

Lewis's concern did not end at animal pain that was inflicted by humans. He saw the whole of nature as cruel, with animals killing and eating others to survive. His theology explained human pain by way of humanity's fallen state, but animals had committed no sin. Lewis reasoned that humanity's fall had brought animals down to a fallen state too.

In examining the problem of wild animals' pain, Lewis's thinking involved a hierarchy: from plants, the 'lowest' form of life, to animals, humans, angels and finally God. Lewis saw conflict in the world of plants, where the competition for light and nutrients caused some plants to succeed and some to die, but he didn't think this was cruel: plants are not sentient, so they don't feel pain or suffering.

The idea of animals preying on other animals presents more of a problem, at least where the prey is sentient. Lewis, along with other theologians, felt that this could not be the natural way of things and that an evil power had altered nature in order to cause more misery. (As The Screwtape Letters shows, Lewis believed in Satan.)

In The Problem of Pain Lewis presented an imagined glimpse of un-fallen humanity, as he had previously done in the fictional settings of Out of the Silent Planet and Perelandra. He believed humans had fallen to a lower state, so that they were much more like animals. Taking this idea further, he ventured the idea that animals had fallen back to "behaviour proper to vegetables" - that the behaviour of preying on each other was something natural to plants and not to animals.

Despite these ideas, Lewis does not seem to have believed that humans should be vegetarian: indeed, he was known to poke fun at 'fashionable' vegetarians. Vegetarianism was not widespread in the 1950s, nor was the knowledge that a vegetarian diet can be healthy, so Lewis's attitude is hardly surprising.

Pet heaven

Lewis, very unusually for the time, thought that there ought to be some provision in Christianity for resurrection or heaven for animals.

Resurrection would be meaningless for some animals: "If the life of a newt is merely a succession of sensations, what should we mean by saying that God may recall to life the newt that died to-day? It would not recognise itself as the same newt". If the newt was not aware enough to be made miserable or happy by pain or pleasure, there would be no way to reward it or compensate it for its life on earth.

Domestic animals, though, obviously had something like a personality. Lewis thought that when humans tamed animals, in accordance with their God-given dominion over them, the animals became more themselves.

To Lewis the practice of taming animals, and making them more humanlike, was an obvious parallel to God's way of making believing Christians more Christlike. He suggested that domestic animals might somehow achieve immortality in the context of their masters' immortality. It is a comforting thought for anyone who has hoped to see their beloved pet in heaven, though not much use to a dog belonging to a non-Christian.

The talking animals of Narnia are a different case. They have humanlike personalities and free will of their own and seem to be responsible for their own actions.

Quotations

Quotations

Being Christian

'Joy'

Conversion

'Good news'

Problem of pain

Being part of God's plan

Lewis saw different kinds of good in the world. There was "simple good" performed by good people; but Lewis believed that God is also able to exploit "simple evil" for his own purposes, which turns it into "complex good".

Love vs. kindness

Aslan

Audio

Beyond Personality: The New Men

This is the only surviving footage of C.S. Lewis's broadcast talks. The New Men is the last episode in Beyond Personality, the third series. It was broadcast on ³ÉÈËÂÛ̳ radio on 21st March 1944.

The transcripts of all three series were published as Mere Christianity.

An introduction to The Great Divorce

"Blake wrote The Marriage of Heaven and Hell. If I've written of their divorce, this is not because I think myself a fit antagonist for so great a genius, nor even because I feel at all sure that I knew what he meant..."

C.S. Lewis introduces his book The Great Divorce in a clip first broadcast on 9th May 1948.

Anne Atkins on C.S. Lewis

Bibliography and reading list

Bibliography and reading list

This is a select reading list of Lewis's works and books about his life.

Fiction

Space Trilogy:

• Out of the Silent Planet (1938)
• Perelandra (1943)
• That Hideous Strength (1946)

The Screwtape Letters (1942)

The Great Divorce (1945)

Chronicles of Narnia:

• The Lion, the Witch and the Wardrobe* (1950)
• Prince Caspian (1951)
• The Voyage of the Dawn Treader (1952)
• The Silver Chair (1953)
• The Horse and His Boy (1954)
• The Magician's Nephew (1955)
• The Last Battle (1956)

Till We Have Faces (1956)

* Note: The Chronicles are listed in the order in which they were published, which may not be the order in which Lewis wrote them.

Many of their fans prefer to read the books in chronological order (The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair; The Last Battle).

Lewis himself did not mind. It may be best to read them in publication order the first time, and in chronological order after that.

Apologetics (theological books)

The Problem of Pain (1940)

Miracles (1947, revised 1960)

Mere Christianity (1952), the collection of his radio talks given 1941-1944

Autobiographical

Surprised by Joy (1955)

A Grief Observed (1961)

Poetry

Spirits in Bondage* (1919), an example of Lewis's pre-Christian thoughts

Narrative Poems (1969), a collection including Dymer, an early narrative poem from 1926

* Note: Spirits in Bondage and Dymer were first published under the pseudonym Clive Hamilton (Lewis's mother's maiden name).

Academic and other

A Preface to Paradise Lost (1942), a highly-regarded study of the poem

The Allegory of Love: A Study in Medieval Tradition (1936)

English Literature in the Sixteenth Century Excluding Drama (1954), a textbook forming part of the Oxford History of English Literature series. (Lewis took such pains researching this book that he referred to it as O-HEL.)

Reflections on the Psalms (1958)

Of This and Other Worlds (1982), essay collection edited by Walter Hooper

Books about Lewis

Jack: A Life of C S Lewis, George Sayer (1988), originally published as Jack: C. S. Lewis and His Times

C. S. Lewis: A Companion and Guide, Walter Hooper (1996)

Find out more

• Modern Norse religion
• Saint Peter
• Atheism
• The Fall and original sin
• History of the Bible
• Animals in theology and ethics