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Local HistoryYou are in: Stoke & Staffordshire > History > Local History > The pride of the Potteries? The pride of the Potteries?Local illustrator and designer Ian Thompson argues that the building of an iconic, futuristic bottle kiln will be a compelling symbol of the Potteries' past and future. What do you think? Ian Thompson explains in his own words how he came up with the project in the first place and the reasons behind his design... "In my youth travelling to school in Longton I never really noticed them. To me, they were large, dirty buildings that were almost invisible tombstones to an industrial past. As with all things, when you get older you begin to appreciate things like the environment in which you live. In my case, bottle kilns began to engage my curiosity. This curiosity led me to discover I had grandparents and great grandparents who worked in the pottery industry hand painting Fine Bone China. Pieces of their work have been saved and are now displayed in the living room bureau at my parent鈥檚 house. It made me realise that these strange looking structures I had rode past so many times to school, were actually a link to my past. The more I thought about these buildings the more I began to open my eyes and notice them scattered around the city. It was like finding an old favourite toy: whilst searching for something completely different, it bought about a feeling of pride in the city in which I lived. Above all I could not help but feel a sense of loss when seeing bottle kilns in a state of neglect, a discarded, withered has-been, no longer functional, no longer wanted and no longer anybody鈥檚 responsibility. A masonry vagrant. Sense of lossFortunately, I was not the only person to feel this sense of loss. The public, council and businesses bandied together and took responsibility. Subsequently over the years they have helped to restore bottle kilns and integrate them back into our skyline via new, modern building projects. Despite many of these structures being demolished, we have managed to hold onto around 45 in total, which are now listed buildings. The outer shape of the bottle kiln known as the hovel is an intriguing form - a curvaceous line looking cumbersome at the base flowing upwards into a thinner more elegant funnel. Being an illustrator and having a vivid imagination, to me it resembled a rather large, overweight man battling to keep his beer belly under control! That鈥檚 why I loved these buildings - they had character. I finally understood why people were so passionate about them, they not only represented an industry and a livelihood to workers, but they also represented the character of the people in Stoke on Trent -听 the humour, friendly, hard working folk who made the city famous for its produce. So famous in fact, that it became known even to this day after its trade. Acting as a beaconAs a designer and illustrator, I became interested in how I could create something as a tribute not only to the bottle kiln, but also to Stoke-on-Trent and its inhabitants. I wanted to produce something iconic which not only captured the history of the city, but also looks to the future, acting as a beacon to all who live here and to new visitors alike. My sense of pride in Stoke-on-Trent and the realisation that few people outside of Staffordshire would probably know where our city is, led me to think of the Angel of the North in Gateshead. I wanted to make a structure to rival other iconic structures in the United Kingdom and place Stoke-on-Trent on the map. Few people other than those in the Northeast prior to the construction of the Angel of the North would have known where in the country Gateshead was located. The success of that project and sheer number of visitors to Gateshead made me feel that our city deserves the same recognition. The shape, although some may say predictable, takes the form of the bottle kiln. Many sculpture and public art projects have included this shape as the basis for their design and for good reason. Bottle kilns are unique to our area. Their flowing form should be celebrated because its profile silhouetted our skyline for years and with my project, I wanted that profile to once again be a dominant feature. This basic form symbolises the ceramic industrial history. Unity of the six townsThe shape of the kiln would flow as six separate panels. Each panel would represent another unique feature of our city, the six towns which form Stoke-on-Trent. The six panels reaching upward grow closer in proximity to emulate the elegant neck of the bottle kiln, representing the unity of the six towns. Our industry not only survived on ceramic production, Steel also played an important role, which is represented by the chrome metallic material used to form each of the panels. The choice of material is important for a second reason: the metallic panels also symbolise the future. The simplified, sleek flowing line of the original bottle kiln is streamlined with a smooth clean modern finish. Here I was trying to show how Stoke-on-Trent can evolve and compete with other large cities in the future. The highly reflective surface mirrors the cityscape and forms a less obtrusive structure allowing it to blend and reflect the environment. Fuelling our industrial pastThe kiln in my pictures uses Glebedale Park in Fenton for its proposed location. Glebedale was formally a colliery, which closed in 1965, which represents another industry within Stoke on Trent - coal mining. Placing the structure on this site symbolises the foundation or fuel behind our industrial past. This location is very prominent and can be seen for miles. The reclamation of the colliery has also provided an attractive visitors area for tourists wishing to visit the kiln. Many pathways and picnic areas are already established and would provide a perfect city tour rendezvous point. Tourism would I think be encouraged by the scale of such a structure. Drivers passing through the city on the A500 and A50 would have clear views. The entrance from the two junctions north and south of the city via the M6 would provide easy access and provide a stunning welcoming structure from either direction. In addition visitors from the M1 via the A50 would be able to see the structure approaching from the other side of the city. Park and rideWe could also use the area around the iconic bottle kiln as car park/park and ride. From there, people could be ferried to the numerous factory shops around the city as well as other attractions such as the Wedgwood and Gladstone Museums. I feel that we as a city can survive and be successful. This is only my vision, one idea of putting our city on the map and attracting more visitors to Stoke-on-Trent. The bottle kiln has symbolised our past and economic successful days in the 1900鈥檚, for me it also now symbolises regeneration and growth once again, giving our city a revitalised identity and pride in our heritage and our future." Ian Thompsonlast updated: 22/12/2009 at 09:09 Have Your SayTHANKS FOR ALL YOUR COMMENTS. THIS BOARD IS NOW CLOSED.
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