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24 September 2014
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Waterloo Road

School-based drama Waterloo Road comes to ³ÉÈËÂÛ̳ ONE, Thursday 9 March 2006



Claire Phillips – producer of Waterloo Road


Tell us about the location you have been using to film Waterloo Road:

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Our school is set in the heart of a housing estate in Rochdale. It used to be a middle school and was used as an infant school prior to us moving in.

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We had to empty out the tiny chairs and desks to transform it into Waterloo Road Comprehensive.

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When did the school close on this site?

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The school closed at the end of the summer term 2005. It closed on the Friday and we discovered it on the following Wednesday.

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We had spent so long looking for a suitable location and Hill Top School just seemed to pop up out of nowhere. As soon as I walked inside, I knew it was the school for us.

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What made the school stand out as a suitable location?

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A lot of the schools that we had visited had been empty for a while. They had suffered from extensive vandalism or just simple neglect, as they no longer had a purpose.

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With Hill Top, its pupils had only moved out the week prior and therefore none of that damage had occurred. It looked like a real school without us having to do anything.

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How did you choose the uniform?

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The uniform really helps tell the story of the school. It is subtle but it's there.

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If you notice in episode one, there are only a handful of pupils who actually abide by the uniform rules. A lot of kids have customised their uniform or aren't wearing it at all.

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I spoke with Sarah Ryan, our costume designer and we decided to portray the improvement in discipline through the school uniform.

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By episode 8, when the school has got itself back on its feet, there's not a pair of trainers or trendy t-shirt in sight!

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Tell us how you went about choosing the school badge and crest etc:

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Paul Rowan, the show's designer, designed the Waterloo Road Crest and it was down to me to choose a school motto. We came across 'Ex Nihlio Omnia' – It means Everything From Nothing.

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I thought this was quite appropriate both in terms of the story we were telling but also from a production point of view. The show had a very fast turn around and we had a lot to achieve in very little time.

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Tell us a bit about the casting process:

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We saw so many people when we were casting this show but I knew instantly who I wanted from the second they read the part.

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Jason Done is a perfect Tom Clarkson. Jamie Glover brings Andrew Treneman to life and Jason Merrells makes Rochdale sexy. Angela Griffin makes me want to teach and Jill Halfpenny and Camilla Power have turned in formidable performances.

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Not only are they all extremely talented but one of the most charming and conscientious casts I have ever worked with.

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How did you cast the kids for the series?

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We used a local casting director and saw literally hundreds of kids.

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We were so blown away by the talent of some of the young artistes that we cast that their roles increased as we continued writing the series. We wanted their talent on screen.

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Tell us a bit about the show and what it means to you:

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I watch the episodes and it reminds me of my school days.

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What's trendy in terms of clothes and accessories may have changed but the fights and dilemmas and attitudes still remain the same. And the life behind the staff room door is going to make people want to come back for more.

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What I love is the organic nature of the political side of the drama.

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It grows naturally out of situations and quite clearly spells out for the audience what has changed in schools today in terms of the politics. It's shocking and revealing.

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I am very proud of Waterloo Road. We have a wonderful cast who have given their all and who have been so great to work with. Their performances have made me laugh and cry in all the right places.

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The location looks fantastic. We have had the most fantastic designer in Paul Rowan with his team along side. It has looked vibrant on screen with so much light coming through all those windows. There's not the whiff of a set in sight.

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We have achieved more than I thought was within our grasp. The lighting is fantastic – and within the tightest of schedules. Lawrence Jones who has been our principle DOP [Director of Photography] on this series and has done a tremendous job.

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What has been the best and the most difficult thing about producing Waterloo Road?

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The biggest challenge for Waterloo Road has been time. The show was turned around in record time. I think we have astonished ourselves.

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But it has brought a lot of pressure from scripts through to the filming to post production. It may have been done at record speed but what will hit the screens is a classy piece of drama that will be much talked about.

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The best part about the productions has been the people involved. It has been about teamwork. This show belongs to everyone who worked on it. It has been a creative collaboration at all levels.

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Tell us why you believe this series will appeal to both parents and kids:

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I think both parents and kids will enjoy this series. There is something for everyone and I hope this will be a regular 8pm sofa moment for all the family.

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WATERLOO ROAD PRESS PACK:

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