³ÉÈËÂÛ̳

Explore the ³ÉÈËÂÛ̳
This page has been archived and is no longer updated. Find out more about page archiving.

24 September 2014
Press Office
Search the ³ÉÈËÂÛ̳ and Web
Search ³ÉÈËÂÛ̳ Press Office

³ÉÈËÂÛ̳ Homepage

Contact Us

Press
Packs

³ÉÈËÂÛ̳ Northern Ireland Autumn 2006
Officer and Commander

³ÉÈËÂÛ̳ Northern Ireland - Autumn highlights 2006



Programmes: K to S

Ìý

Officer and Commander

Ìý

'The Poo Pipe', 'The Prosser' and 'The Fin' are words which may mean nothing to anyone at the moment, but will become clearer after watching the four-part series Officer and Commander on ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

The series follows Commander Steve Aiken from Northern Ireland over a year, through the trials and tribulations of command of HMS Sovereign, the Royal Navy's oldest nuclear submarine, as the boat was prepared for a major mission - her last before she was due to be decommissioned.

Ìý

³ÉÈËÂÛ̳ Northern Ireland was there to capture every step of the 'work up' to this deployment – from major repairs and re-fit of the submarine to sea trials around the coast of Britain.

Ìý

Over many weeks on board, the series follows the Royal Navy crew, not only through their training in diving and torpedo-firing operations, submarine escape, firefighting and safety exercises, but also their day-to-day routines in cramped conditions with no natural light; and it reflects the boredom, the entertainment and their thoughts on home and the families they have left behind.

Ìý

It is also there when severe technical problems and emergencies on board the submarine delay the training and place the whole mission in jeopardy.

Ìý

Officer and Commander is a glimpse of a life which is very rarely seen, a life which can be claustrophobic, uncomfortable and extremely hazardous.

Ìý

As Commander Aiken replies when asked if it was dangerous: "You take a metal tube, fill it with hi-tech equipment, hazardous materials, explosives and a nuclear reactor and then you sink it! What part of dangerous do you not understand?"

Ìý

Officer and Commander is producer by Louis Edmondson, ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

On The Air

Ìý

You've seen him as a chat show host, you've seen him in a Stetson, you've seen in a wedding dress, but now get ready to see Gerry Anderson as you've never seen him before, in 3D animation!

Ìý

The ever-versatile Mr Anderson is starring in a new ten-part series of short animations, entitled On The Air, on ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

With wonderful models and animation by Belfast-based animation company Flickerpix, this cutting-edge series gives viewers a hilarious behind-the-scenes insight into life on Gerry's ³ÉÈËÂÛ̳ Radio Ulster programme.

Ìý

Featuring real, unedited clips from Gerry's ³ÉÈËÂÛ̳ Radio Ulster/Foyle programme, On The Air is a rib-tickling take on Gerry Anderson, his radio sidekick Sean Coyle and the many colourful characters who phone into his programme.

Ìý

Whether it's Miss Dungannon 1957, the listener with the lazy husband, the lady with a crow problem, the Sean Coyle admirer or the farmer looking for his dog only to wind up talking about his love life, On the Air will make viewers see Gerry's listeners and, indeed, Gerry himself in a side-splitting new light.

Ìý

On The Air is produced by Flickerpix Animation for ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

A Pilgrim's Progress
A Pilgrim's Progress

Ìý

A Pilgrim's Progress

Ìý

In this six-part series, the Rt. Reverend Dr John Dunlop retraces the journey taken by Reverend Colin Corkey as he made his way across the Atlantic, Canada and Japan to China as a young missionary, into Japanese-occupied Manchuria in the Thirties.

Ìý

Colin's journey from West to East took him across cultures, from a developed democratic world to an undeveloped postfeudal world.

Ìý

In this series Dr Dunlop compares the world he travels through today to the world Colin travelled 70 years ago and asks: "Is today's world a more or less spiritual place than it was in Colin Corkey's time?"

Ìý

A Pilgrim's Progress is an Imagine Media production for ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

Play It Again Sam

Ìý

In September 1971, Sam McAughtry was admitted to Shaftesbury Square Hospital suffering from chronic alcoholism and severe depression.

Ìý

At the time, Sam, a dedicated trade unionist and Labour party activist, had seen his world shattered by the beginning of the Troubles and the escalating sectarian violence across Northern Ireland.

Ìý

At only 50 years old, temporarily homeless and separated from his wife and children, the future seemed bleak for Sam McAughtry.

Ìý

However, Sam would be reborn. From Tigers Bay to the Irish Senate, with a detour on board The Peace Train, Play It Again Sam is the story of one of Northern Ireland's most important literary icons.

Ìý

Now 85 years old and still as sharp and witty as ever, author and storyteller extraordinaire Sam takes us on a compelling journey through an artistic past to reveal vivid memories of his encounters with writers, politicians and celebrities - Van Morrison, Sam Hanna Bell, Spike Milligan and Charles Haughey to name but a few.

Ìý

Sam also shares another side to the story of his life. He talks of the heartbreak and lasting effect of the early, tragic deaths of his father and brother; the heights of a Lifetime Achievement Award from the Irish Writers' Union; and the pain of watching his beloved old Belfast tear itself apart with the relentless worsening of the Troubles.

Ìý

Despite the upheavals in his life, Sam McAughtry would later become the author of eight books, including two novels, an autobiography, short stories and travel writing.

Ìý

And there was also a highly-successful career in journalism and broadcasting.

Ìý

For after that dark day in Shaftesbury Square Hospital, Sam had re-imagined his life. Quite simply, Sam was to become one of the most prolific Northern Irish writers of his generation.

Ìý

Play It Again Sam is a DoubleBand Films production for ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

Playing for Time

Ìý

The Ulster Orchestra is turning 40, their principal conductor has just left and they have got a funding deficit to try and make up.

Ìý

There's a touch of mid-life crisis in the air!

Ìý

Playing for Time goes behind the scenes with the players as they go through the ups and downs of their 40th anniversary season; with Chief Executive David Byers as he tries to secure a new conductor; and with the new fundraising team as they try to raise the extra money they need for a rosy future.

Ìý

It is no-holds-barred view of a group of incredibly highly-skilled people, a place with its own idiosyncrasies and stresses.

Ìý

This is a world which viewers in Northern Ireland have never been shown before and this documentary promises to take an eye-opening look at what lies beneath the serene surface of a workplace where the 'uniform' is dinner jackets, bow ties and black dresses.

Ìý

Playing for Time is produced by Johnny Muir, ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

Seanchai

Ìý

Seanchai is a series of six free-standing, dramatised stories of the supernatural set in specific locations in Northern Ireland. As the title suggests, they are presented mostly in Irish, part dialogue, part narration.

Ìý

The traditional ingredients of Irish storytelling are all here - witchcraft, curses, ghosts and things that go bump in the night - but this, the third edition of the series, has a much more contemporary feel, often playing at the interface between the ancient and the modern.

Ìý

The stories vary in tone from black farce to tragedy but what they have in common is an engaging and literate script, strong characters and a narrator, or seanchai, who is also the inner voice of the chief protagonist.

Ìý

Like most storytellers, the seanchai isn't always trustworthy, never revealing too much too soon, often playing cat and mouse with the narrative in a playful and mischievous spirit.

Ìý

However, almost inevitably, there is a pay-off, a twist in the tale that leaves a satisfying taste in the mouth as the right people get their come-uppance in the end.

Ìý

The series kicks off with Oiche Shamhna (Halloween Night) - shot, partly at least, during the traditional celebrations in Londonderry last year.

Ìý

Seanchai is produced by Westway Films for ³ÉÈËÂÛ̳ Northern Ireland with the support of the Irish Language Broadcast Fund of the NIFTC.

Ìý

Sons of Ulster

Ìý

"At the beginning we couldn't have hoped that it would turn out anything like this," recalls Dan Gordon, director of Observe the Sons of Ulster Marching Towards The Somme.

Ìý

June 2006 will go down in Northern Ireland prison history as the summer when the prisoners of Hydebank Wood performed Frank McGuinness's Observe The Sons of Ulster Marching Towards The Somme to packed houses in a professionally-erected theatre inside the prison's gymnasium.

Ìý

The audience comprised the Director-General of The Prison Service, Robin Masefield, local politicians, cast members from previous professional productions, Hollywood composer David Holmes and celebrated local playwright Marie Jones - to name but a few.

Ìý

And the verdict was unanimous: "Marvellous, remarkable and unbelieveable!"

Ìý

For much of the audience it was also a very poignant moment, with the realisation that the cast would now take their costumes off, hand back their replica rifles and be marched back to their cells.

Ìý

Sons of Ulster is a gripping four-part documentary series, produced and directed by Brendan J Byrne of Hotshot Films, which charts this remarkable journey from audition to stage.

Ìý

Following celebrated actor/director Dan Gordon (Red Hand Luke) and his co-worker Mike Moloney (Director of the Prison Arts Foundation) as they attempt to pull off a miracle, the series records the rollercoaster of emotions of both prisoners and the professionals that went into creating this unique event.

Ìý

However, as well as the tantrums and the walk-offs, the series also offers a deep insight into the shortcomings of prison life and a portrait of proud, yet troubled young men who are trying, often failing, to find real meaning to their lives.

Ìý

Many of them are already fathers yet this alone hasn't provided enough incentive for them to break the cycle.

Ìý

Challenged to become characters of the same age fighting in the Great War of 1914 who, unlike them, didn't get a second chance, the cast also come to appreciate and respect the great sacrifices of the 36th Ulster Division as they learn how Catholic and Protestant men died side-by-side on the field of battle.

Ìý

Sons of Ulster is a Hot Shot Films production for ³ÉÈËÂÛ̳ Northern Ireland.

Ìý

³ÉÈËÂÛ̳ NORTHERN IRELAND AUTUMN 2006 PRESS PACK:

RELATED PRESS OFFICE LINKS:

PRESS PACKS

RELATED ³ÉÈËÂÛ̳ LINKS:


< previous section next section >
Printable version top^


The ³ÉÈËÂÛ̳ is not responsible for the content of external internet sites



About the ³ÉÈËÂÛ̳ | Help | Terms of Use | Privacy & Cookies Policy
Ìý