In this Prom from Anja Bihlmaier and the ³ÉÈËÂÛ̳ Philharmonic, Brahms’s Symphony No. 4 is balanced by the outpouring of joy that is Beethoven’s Violin Concerto – featuring soloist Tobias Feldmann – plus Sarah Gibson’s warp & weft.
In this Prom from Anja Bihlmaier and the ³ÉÈËÂÛ̳ Philharmonic, Brahms’s Symphony No. 4 is balanced by the outpouring of joy that is Beethoven’s Violin Concerto – featuring soloist Tobias Feldmann – plus Sarah Gibson’s warp & weft.
John StorgÃ¥rds conducts his ³ÉÈËÂÛ̳ Philharmonic in Tchaikovsky’s Symphony No. 4, after Hans Abrahamsen’s delicate Horn Concerto, Sibelius’s symphonic fantasia Pohjola’s Daughter and Schumann’s much-overlooked overture to his opera Genoveva
John StorgÃ¥rds conducts his ³ÉÈËÂÛ̳ Philharmonic in Tchaikovsky’s Symphony No. 4, after Hans Abrahamsen’s delicate Horn Concerto, Sibelius’s symphonic fantasia Pohjola’s Daughter and Schumann’s much-overlooked overture to his opera Genoveva
The ³ÉÈËÂÛ̳ Philharmonic and Chief Conductor John StorgÃ¥rds bring one of Shostakovich’s boldest symphonies, the Fourth, to the Proms, following Canadian composer Cassandra Miller’s new viola concerto, titled 'I cannot love without trembling'.
The ³ÉÈËÂÛ̳ Philharmonic and Chief Conductor John StorgÃ¥rds bring one of Shostakovich’s boldest symphonies, the Fourth, to the Proms, following Canadian composer Cassandra Miller’s new viola concerto, titled 'I cannot love without trembling'.
Nicholas Collon and the ³ÉÈËÂÛ̳ Philharmonic perform the most vibrant and unignorable symphony of the 20th century, Messiaen’s Turangalîla, after the world premiere of Anna Clyne’s The Gorgeous Nothings, written specially for the Proms
Nicholas Collon and the ³ÉÈËÂÛ̳ Philharmonic perform the most vibrant and unignorable symphony of the 20th century, Messiaen’s Turangalîla, after the world premiere of Anna Clyne’s The Gorgeous Nothings, written specially for the Proms